ULTIMATE VOCABULARY 2015 MOVIEOther adjectives and phrases describe books and movies that are very exciting: Gripping is one such adjective and riveting another: Absorbing is used for a movie or book that is so interesting, it completely holds your attention: I really liked her last novel – I found it very absorbing.Įngrossing means the same, but is stronger: The movie was completely engrossing from start to finish.Ī movie or book that is intriguing, meanwhile, is very interesting in a way that is unusual or mysterious: I found the storyline so intriguing – I had absolutely no idea what was going to happen next. This is a series with great characters and a gripping storyline. Phrases (for movies, shows, etc) compulsive viewing and (for books) compulsive reading: Is used to describe movies and books that are so exciting, you cannot You’ll love the novel – it’s riveting stuff. I find hospital documentaries like these compulsive viewing. The adjective compelling means the same: I found the whole series very compelling. We hope that you read something unputdownable or watch something riveting this week! Meanwhile, a book that is (informal) unputdownable is so exciting, you cannot stop reading it (you cannot ‘put it down’): His last novel was totally unputdownable. ULTIMATE VOCABULARY 2015 FULLIt is hands down ( easily and without any doubt) the best movie this year.Īction-packed: full of exciting events and activity: e.g. atmosphericĬompelling: that makes you pay attention to it because it is so anĪtmospheric: creating an exciting or emotional mood: e.g. She gives a compelling/memorable performance as aĬonvincing: The acting is very convincingĮnthusiastic and vivid descriptions of the scenery Her latest book makes compelling reading. It is both entertaining and educational.Įxhilarating: /ɪɡˈzɪləreɪtɪŋ/ very exciting and enjoyable. My first parachute jump was an exhilarating experience. Novel provides a fascinating insight (understanding,visi on) into the customs in Provides a fascinating/valuable/revealing insight into: e.g. Gripping: exciting or interesting in a way that keeps your attention. M esmerizing: /ˈmezməraɪzɪŋ / having such a strong effect on you that you cannot give your attention to anything else.
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#ADD LINK TO INSTAGRAM STORY YOUTUBE SERIES#For example, if your story is a series of three or four posts, only one should have the link. #ADD LINK TO INSTAGRAM STORY YOUTUBE FULL#Given that adding links to stories is currently the only way to add a specific link to any single post on Instagram, marketers may get over-zealous and add too many links too frequently.ĭepending on the number of posts in your full story, you may want to include one or two posts with clickable links to the entire story collection. CLICK TO LEARN MORE Effective Ways to Use Links In Your Instagram Stories Learn from the industry's most trusted experts, rub elbows with other smart marketers, and take your marketing to the next level during this 3-day event in sunny San Diego, California. #ADD LINK TO INSTAGRAM STORY YOUTUBE HOW TO#Want to get ahead of the competition and learn how to diversify your social marketing strategy? Get Expert Social Media Marketing Training from the Pros Common CTAs include “Swipe up to see more” or “Tap ‘See More’ to visit our website.” I highly recommend you include a call to action (CTA) in your story text to direct your viewers to access the link. #3: Continue Editing Your StoryĪdd any other content including text, stickers, and filters to your story, then upload it to your profile as you would any other story. The chain link icon on the story is highlighted when a URL is successfully linked. Once you’ve successfully linked a URL to your story, the chain link icon will appear highlighted to indicate your story has a link. I recommend you use a link shortener such as Bit.ly or Rebrand.ly to create a shortened URL you can track metrics with. Instagram Story analytics do not currently track URL clicks, so to measure your traffic and conversions, you’ll want to use a link that you can track separately. The URL page will allow you to type in the link for any web page to which you want to send your audience. Type in the complete URL address and tap on the green check mark (on Android) or “Done” (on iOS) to save the link. The chain link icon appears at the top of the Story page to add a clickable URL.Ī new window will appear on your screen, allowing you to input the link destination of your choice. To add your link, click on the chain link icon at the top of your story. You can take an image or video directly within the Instagram Stories app or swipe up on the Story screen to import any image taken within the last 24 hours. There doesn’t appear to be any geographic restrictions to clickable stories links, and as the feature gains in popularity and usage, we can hope Instagram will continue to roll this feature out to even more users.Īdding a link to your Instagram story is easy to do in just a few quick steps! #1: Start Your Instagram Story Clickable stories links are now also available to business profiles (not personal profiles) that have over 10,000 followers on Instagram. In May 2017, however, Instagram began quietly expanding this feature to more marketers on the platform. Like many marketing features on Instagram, clickable links in stories were rolled out first to verified accounts. Who Has Access to Adding Links in Instagram Stories? How to Add a Link to Your Instagram Stories by Jenn Herman on Social Media Examiner. In this article, you’ll discover how to add links to your Instagram stories and find ways to incorporate story links into your Instagram marketing. 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When I first started using Scratch Live I immediately missed Traktor's recent history function: in addition to recording a mix, Traktor keeps a list of tracks used, an indispensable stenographer for the DJ caught up in the pleasures of an improvised mix. Maybe the most useful improvement in file management on Scratch Live 2.0 is its new playlist capacity. What's more, terms like "crates" and "album art," leftovers from the physical world, show how much Serato is invested in maintaining a fidelity to a certain musical tradition: in the mp3 era we still have crates, even if crate-digging has become a thing of the past. While certainly less flashy than triple-deck action or onboard effects, developments in file management will be welcome, valuable both in the heat of the mixing moment and during crucial pre-gig prep. This is part of Serato's broader effort to make their file management architecture more user-friendly. In addition to the new "stacked mode," 2.0 also features a "library" display mode which grants the bulk of screen space to your tune catalog. With Serato's commercial interests in mind, however, it's not outside the realm of possibility that Scratch Live 2.0 is simply designed to better suit the brand-spankin' new Sixty-Eight. Users operating this particular piece of hardware may prefer to stick with an earlier version of Scratch Live, although this is perhaps ultimately a matter of taste. A potential downside to this setup is that Serato has changed the hardware interface so that now the TTM-57 appears in compacted form to the left, in order to offer more library space. The new onboard FX stand a chance of faring better than the FX built into the TTM itself, which haven't always been entirely reliable. While Scratch Live is capable of handling several third-party MIDI controllers for the hands-on experience, the most fitting means is probably through one of Rane's own mixers, because then you're dealing with an FX controller mapped directly onto the mixer instead of an additional piece of equipment.Īs the Rane Sixty-Eight mixer has only just shipped, I tested Scratch Live 2.0 on its formidable predecessor, the TTM-57. Needless to say, this fantastical new world of FX will be most deeply appreciated if you're not poking at the thing with a computer mouse. The FX settings can be customized or even developed anew, saved and exported for sharing. You have basic delay, reverb and so on, as well as some custom onomatopoeic options like the Braker and the Crusher, the former being a sort of rhythmic gate and the latter a brutal bit-reducer. (In contrast Traktor's had them for almost a decade.) Now on 2.0 you get two FX units, each with three chained processors, with the possibility of routing one or both decks through each unit. Onboard FX are also included in the update, something which has been curiously absent on Scratch Live until now. A newly-added "stacked" visual mode enables you to manipulate the triple-layered waveforms. One of the immediate tangible improvements of the 2.0 version will likely be felt by those specifically rocking an SL-3, as Scratch Live 2.0 can accommodate this unit's unique three-input capability, communicating with a third turntable or CDJ through the AUX input. They fall into two basic categories: Those like the SL-1 and SL-3 that act as a medium between laptop and mixer, and heavier artillery like the TTM mixers which feature directly integrated Serato technology. Scratch Live users know that their mixing experience depends largely on their Rane hardware unit. 2.0 seems designed to further play catch up with competitors like Traktor, most notably in the realm of onboard FX and playlist management, as well as acting as a kind of opening salvo for multiple new Serato products lined up for 2010, including a custom record needle, a new Rane mixer and The Bridge, an interface that tantalizingly promises to link directly between Scratch Live and Ableton Live. Released in April, Scratch Live 2.0 follows last year's 1.9, which prominently featured a six-unit onboard sampler that could be triggered by keystroke or MIDI controller. Because its major selling point has always been its vinyl-mp3 telepathy, Serato has been able to take its time adding bells and whistles to what was initially a relatively stripped-down affair. Since then Serato has remained resolutely dedicated to preserving the record-mixing experience through custom timecoded vinyl. In May 2004 the appearance of Serato Scratch Live signaled an attempt to split the difference in a protracted DJ tug-of-war, fought between vinyl purists and digital acolytes, by offering real-time turntable control over audio files. |
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